tag:blogger.com,1999:blog-10798684518486923812024-03-18T20:31:43.905-07:00Cities and Architecture a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.comBlogger49125tag:blogger.com,1999:blog-1079868451848692381.post-30768036031499536242019-01-27T18:30:00.000-08:002019-02-04T04:57:08.666-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;"><b>_ mind the gap_ </b></span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;">There's a gap between where we are and where we want to be.</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;">Many gaps, in fact, but imagine just one of them.</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;">That gap–is it fuel? Are we using it like a vacuum, to pull us along, to inspire find new methods, to dance with the fear?</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;">Or is it more like a moat, a forbidding space between us and the future?</span><br />
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-91346464986612060542018-12-15T03:24:00.000-08:002018-12-31T03:25:18.367-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_ leave a trail _ </b></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><i>" where did you go to school?" </i></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">An interesting question, perhaps, but irrelevant to a job interview.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The campus you spent five years on twelve years ago makes very little contribution to the job you're going to do. Here's what matters: The way you approach your work.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">What have you built? What have you led? How do you make decisions? What's your reserve of emotional labor like? How do you act when no one is looking?</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">You are not your resume. You are the trail you've left behind, the people you've influenced, the work you've done.</span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-31998644202105727032018-10-16T21:00:00.000-07:002018-12-31T03:30:45.096-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_Beginning _ </b></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Merely beginning.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">With inadequate preparation, because you will never be fully prepared.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">With imperfect odds of success, because the odds are never perfect.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Begin. With the humility of someone who’s not sure, and the excitement of someone who knows that it’s possible.</span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-86661145970179412402018-09-21T06:30:00.000-07:002018-12-31T02:57:37.580-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_ In and of itself _ </b><br /><br />Culture is changed by design, and design by culture.<br /><br />There are things that look ‘right’, and others that don’t. We notice the mistyped word, the straight quote, the lousy kerning.<br /><br />But then, the paradigm shifts. An illuminated manuscript and a dime-store novel are both books, but neither would look right to someone accustomed to the other.<br /><br />The challenge of breakthrough design is in doing it with intent. To deliver more, not less of the change you seek to make, the leverage you seek to provide. To do the work with knowledge and care, not laziness or haste.<br /><br />There’s an internal consistency to breakthrough design. It’s of itself, it reflects the intent of the designer. Copying the status quo is easy, commodity work. Creating a new paradigm, one that resonates, is the real work the designer seeks to offer.</span></div>
a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-72450360065385893322018-08-02T02:55:00.000-07:002018-12-31T02:55:55.339-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_Bathrooms_ </b></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">The class of a place is directly linked to the class of the bathroom. You’ll never find a 5 star hotel with pathetic bathrooms.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="color: #333333;">So, the next time, you are at a nice looking store/house/office with pathetic bathrooms, the “nice looks” are likely to be just a front. It’s just like the fact that your behavior matters most when the going gets tough.</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">That’s why McDonald’s systems ensure that bathrooms are cleaned every 15 minutes. Bathrooms matter. A lot.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">So, how much attention do you pay to the bathrooms where you live and work?</span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-81194516670502601672018-06-29T23:28:00.000-07:002018-07-24T23:29:02.727-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><i style="color: #222222;"><br /></i><b>_ Effort of decisions _ </b></span><br />
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><br /><span style="background-color: white;">Designing a building requires precisely 1.56 billion decisions and I will be the first to admit that I can’t make them all – I don’t need to make them all. I would prefer to collaborate with talented individuals who like to plug themselves into the process and use their unique and specific skill set so that together we can do something amazing. My ego is not so large or fragile that I am unwilling to recognize that there are talented people out there with something to offer and I make it a point to try and listen to those people as much as possible. </span></span></div>
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<span style="background-color: white;"><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Which brings me back my topic of the day –</span></span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">In the course of my job, I find myself in many conversations (especially in office) where I am trying to explain how something needs to get done. In most cases this is an easy process.Sometimes, the person I am talking to wants me to tell them every single thing that they need to do.<br /><br /><span style="background-color: white;">If I have to tell you everything …</span><br /><br /><span style="background-color: white;">Occasionally I will work with someone who thinks it is their job to simply show up and do what they’re told. For the record, I really don’t care for that sort of behavior … it smacks of apathy. That lack of interest, enthusiasm, and concern, especially when working in a creative field, is one of the things that makes me want to go home at the end of the day and lie facedown on the bed. While all of this might make me sound like a crank, I think it’s just the opposite. I have a huge threshold of tolerance for people who try their best but ultimately fall short of the mark. In those instances, I think it’s my responsibility to recognize the pattern and adjust my expectations accordingly. But this isn’t about someone’s ability, it’s about their desire, passion, and ownership in the creative process. What I particularly care about here is the effort . I want to surround myself and work with people who care enough to do their very best.</span><br /><br /><span style="background-color: white;">I don’t expect perfection but I do expect effort, anything less and you’re just wasting everyone’s time.</span> </span></div>
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<span style="color: #999999; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><i>This is one of the posts that probably shouldn’t be written – but that’s what I do. If I were half as smart as I pretend to be, I would have probably taken this moment and walked around or read news. Instead of doing those things, I went through the cathartic process of writing a post on the matter and we’ll see if I hit the publish button by the time I’m finished.</i><span style="background-color: white;"> </span></span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-28657233814438515852018-05-31T01:00:00.000-07:002018-05-31T01:00:04.847-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_ Place for souls _ </b></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><i>If a house is built only for shelter,<br />It is not truly a house for ones soul,<br />As much as we need a place where we can cook and sleep,<br />We need a place where our souls can play.<br /><span style="font-size: x-small;"><br />(Ancient Japanese Poem)</span></i></span><div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This beautiful poem has been my guideline when I create spaces. Sometime I fail and sometime I succeed. </span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-25812368365875497222018-04-15T03:34:00.000-07:002018-05-28T03:36:49.468-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_ Approach _ </b><br /><br /><br />I’ve been wondering recently why as a country (or maybe globally?) , we’re all so desperately conservative when it comes to our domestic buildings. I don’t mean in terms of tradition, taste or style – but in the way that the building works.<br /><br />There’s a typology that has evolved over the last few hundred years that is pretty much the default choice for everybody. This is a house that has basically the same accommodation in it – just configured differently. There’s usually a formal entrance, a living room, kitchen (which, if you’re feeling radical, may be in the same space), a series of bedrooms for individual occupancy, and a bathroom or two.<br /><br />Bigger houses are generally more of the same, and while there may be many conversations about finishes and fittings, there’s almost no conversation about the 'principle of a dwelling', and little rethinking of the set of conventional spaces that appear to be beyond question. <br /><br />Much as I’m interested in the technology of vehicles, domestic architecture is unquestionably throttled by the dominance and abhorrence of the awful patch of tarmac, which constitutes a driveway and a garage outside the front door. <br /><br /><br />Is there a different model of living from the default and unthinking identikit series of spaces in different dressings which most of us have? <br /><br /><br />Most of the design conversations around houses in this country are limited to issues of shape, colour and taste, and consequently they’re pretty boring. The conversation needs to move on now, and houses need to change, adapt and evolve. They need to challenge basic assumptions of how we live, and suggest alternatives.<br /><br />At present, alternative models of domestic space are really only considered by a few progressive architects, and this needs to change and enter the mainstream. More than anything, domestic architecture should be progressive and idealistic, and not default to received norms. The tragedy is that the model of living that is rammed down our neck by mainstream house builders is a cynical one that they know will sell, as there’s little alternative. As a community interested in built spaces , we all have an obligation and responsibility to challenge this. </span></div>
a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-81103227228482998772018-03-23T05:00:00.000-07:002018-05-28T03:37:00.217-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b>_ Space Memory Identity _</b><br /> <br /><br />space<br />1. a continuous area or expanse which is free, available, or unoccupied<br />2. the dimensions of height, depth, and width within which all things exist and move.<br /><br />memory<br /> 1. the faculty by which the mind stores and remembers information.<br />2. something remembered from the past<br /><br />identity<br /> 1. the fact of being who or what a person or thing is.<br />2. a close similarity or affinity<br /> </span><span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Can the study of a single street capture the place-making and identity formation of the population of an entire city?</span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><br />A space surrounded by anonymous houses and populated by people are sites of memories and identities. The empty spaces, the no-man's land, are the true spaces of memory - a vanishing memory. Memory creates the site. There are different ways of keeping memory, of building memory, of losing memory. To build up a (new) identity, you not only have to remember, but also to forget.<br /><br /><br />Urban experiences are diverse and dynamic, changing often with advances in technology, shifts in capital investment, and migrations of people. They are shaped by power and wealth, as well as ingenuity and labor. Urbanity is layered with cultural and social histories, and the demands of day-to-day living. Getting from place to place puts a city dweller in contact with a stimulating variety of people and material conditions. At the same time, these experiences can be exhausting and tend to render the urbanite anonymous within the crowd.<br /> <br /><br />Like the boundary between public and private spaces, urban experience is not fixed. The intensity of urban encounter may magnify our sense of these spaces, or cause us to miss them altogether. Cities are malleable, pliable, and constantly changing, and as such the experience we have of urban spaces is always a negotiation between various powers and influences.<br /><br /><br /><br /><br /><br /><br /><br /><br /> </span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-89160320436908875712018-02-18T03:01:00.000-08:002018-05-28T03:01:37.290-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_ Safety _ </b></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">I saw this sign on a recent site visit - signage for safety on a construction site. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtDcOW1SHPp5pdor0vfvJvAnuA7CxXjLuBxJHKUpRm5jVPhSU5FfShqyDxh2f6GgBkudtewysyK4unvIvmE-5ARTL9aJ93EorKvRpYV8lc9KTJUXtVz73CkDijQ6ot32NzP2JuVPyF8ebn/s1600/IMG_20180215_122818761.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtDcOW1SHPp5pdor0vfvJvAnuA7CxXjLuBxJHKUpRm5jVPhSU5FfShqyDxh2f6GgBkudtewysyK4unvIvmE-5ARTL9aJ93EorKvRpYV8lc9KTJUXtVz73CkDijQ6ot32NzP2JuVPyF8ebn/s640/IMG_20180215_122818761.jpg" width="640" /></a></div>
<span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">Simple and crisp. </span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">And instantly reminded me of another one which I had taken years ago. </span><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;"> The image is blurred but the caption is so witty</span><span style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">! </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsW5XHa6MKwVjfeWkCn9P34gSRi0zhReQFABJRau6vybEMDOeDdz3CdwWJISXmHOdjw_xikx891xQjSUsMNkwCC_7f7UkgfYXwVvyN0yr1a95Ok0Tj5VXjXEVOP2Gu5CwCvWY2jicBOU99/s1600/PICT0107.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsW5XHa6MKwVjfeWkCn9P34gSRi0zhReQFABJRau6vybEMDOeDdz3CdwWJISXmHOdjw_xikx891xQjSUsMNkwCC_7f7UkgfYXwVvyN0yr1a95Ok0Tj5VXjXEVOP2Gu5CwCvWY2jicBOU99/s400/PICT0107.JPG" width="300" /></a></div>
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: x-small;"><i>Aapka dimaag sabse badhiya suraksha saadhan hai! Jaroor istamal karen! </i></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Your brain is the best safety instrument! Absolutely use it! </span><br />
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-8053872348540156992018-01-01T02:30:00.000-08:002018-05-28T02:31:17.906-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="background-color: white; color: #222222;"><b><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">_ Glenn Murcutt _ </span></b></span><br />
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<span style="background-color: white; color: #222222;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">'Simplicity is the other side of complexity' - Glenn Murcutt, 2017 </span></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Simplicity in design calms us and somehow inspires us, not only in architecture but also in other forms of design. But what does simplicity mean? Or better yet, what does simplicity not mean? Simplicity is not to be confused with simpleness. I'm not advocating for nursery rhymes over symphonies. No, simplicity is quite different from simpleness.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Simplicity is effortless composition, an orderliness with lyrical qualities — like in a great painting that has only enough brushstrokes to convey the idea, in which the painter uses just the right amount of color, making it impossible to imagine another stroke or another color without its ruining the composition. Great design, whether in paintings or architecture, shares this quality. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Often architecture is formed by intersecting geometries, but seldom are the geometries orchestrated in such a lyrical way as the two gently sloping roofs of this Centre.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbLhf2WbhAMvp5ww__YOpnc9zi3pVc5LcvLm3MFvQwHeSSR8hyphenhyphenelDM2AQx80tHU67rphdyd8nXPewxHGxrcBdtAypYJhUS353RTSHJorQnMBEKyCSIobBjohyKxy8A9QWm40USe_ZNyHH8/s1600/DSC03130.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbLhf2WbhAMvp5ww__YOpnc9zi3pVc5LcvLm3MFvQwHeSSR8hyphenhyphenelDM2AQx80tHU67rphdyd8nXPewxHGxrcBdtAypYJhUS353RTSHJorQnMBEKyCSIobBjohyKxy8A9QWm40USe_ZNyHH8/s640/DSC03130.JPG" width="640" /></span></a></div>
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<i><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"> (Arthur and Yvonne Boyd Museum, photo by Payal Patel 2017) </span></i></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br />Beautiful architecture is not confined to the indoors, but should extend to outdoor living spaces, too, completing the idea and creating a holistic design.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVwuOxF32CnmX1RCyvZGvp0u2oT2CYwS5YvyaqF5nWi6qeukdQ_EyXWljDxElc6-EHtI90ZkN0QEnFOgno5EQ0225T605lmCBxVxkQ7OuJLVNnZ-29QmBH7rRDjJTMiiGPBTZTpNGHeiZB/s1600/download.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><img border="0" data-original-height="700" data-original-width="700" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVwuOxF32CnmX1RCyvZGvp0u2oT2CYwS5YvyaqF5nWi6qeukdQ_EyXWljDxElc6-EHtI90ZkN0QEnFOgno5EQ0225T605lmCBxVxkQ7OuJLVNnZ-29QmBH7rRDjJTMiiGPBTZTpNGHeiZB/s640/download.jpg" width="640" /></span></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><i>(Simpson's Lee House, </i><i> photo by Payal Patel 2017</i><i>) </i></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br />The beauty of this outdoor space lies in its simplicity: a simple, clean edge and geometry along with a rhythm of concrete bowls and bold-color furniture.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1wmzBC_Q60mXepQ1J6r2CDW7kJ14NRovNh3-Zl90brAJ0FzDXDBSYi4gQ1q4uHpxfK52nrjM7csEGOpqLGtfxw98QcFBN7O8tAmP87gIOlTYRL5-Z7tZ_ezORhVtTx0u1Y4f3r8vc-YLV/s1600/DSC02874.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1wmzBC_Q60mXepQ1J6r2CDW7kJ14NRovNh3-Zl90brAJ0FzDXDBSYi4gQ1q4uHpxfK52nrjM7csEGOpqLGtfxw98QcFBN7O8tAmP87gIOlTYRL5-Z7tZ_ezORhVtTx0u1Y4f3r8vc-YLV/s640/DSC02874.JPG" width="640" /></span></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><i>(Fredricks/ White House, </i><i> photo by Payal Patel 2017</i><i>) </i></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Simplicity, tranquility and calm were the design qualities which came to my mind when I visited buildings designed by Glenn Murcutt. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">And with these qualities I did like to plunge into the new year! </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Happy 2018!! </span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-43437601851647967002017-11-08T01:40:00.000-08:002018-05-28T01:41:21.153-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<b style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">_ Originality _ </b><br style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;" /><br style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;" /><br style="font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;" /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKHO2i1UeiLneKAALKCIf7ar8zR4rP7VIebcH8C1zDWjrtbCZaMfRxgHOt6ADKNu4cAJWeGiIJZjuqs5bFcLNKaYbFHP-sLxH9cN7Wj6SgfNpx8_646s0zX26G3Hf0d1C4Prk6TaTsXqjo/s1600/IMG-20180324-WA0004.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKHO2i1UeiLneKAALKCIf7ar8zR4rP7VIebcH8C1zDWjrtbCZaMfRxgHOt6ADKNu4cAJWeGiIJZjuqs5bFcLNKaYbFHP-sLxH9cN7Wj6SgfNpx8_646s0zX26G3Hf0d1C4Prk6TaTsXqjo/s400/IMG-20180324-WA0004.jpg" width="300" /></a></div>
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br /><br />On similar lines, I. M. Pei, American Architect had said "I'd rather be good than original "<br /><br /><br />Flipping through a "foreign" Architecture magazine with glossy pictures, I was struck by the resemblance of a building in Dallas to one that I had recently seen in Bangalore. The proportions, the curtain glazing, the column cladding, the detailing of the entrance; everything was remarkably similar. This started me thinking about this whole business of "borrowed inspiration" in Architecture.<br /><br /><br />It would be unrealistic to expect every Architect in the world to continuously produce original and innovative work. Of interest would be the lineage of the copy. The sequence of copying…..<br /><br /><br />So where does the sequence start ? Would the latest "inspired building" be the last? Each of these buildings in various cities obviously serve a purpose and they quite possibly serve it well. Is one better than the other ? Does it matter if it’s a copy of a copy ? Suppose you had a document that you valued. To preserve it, you take two photocopies of it. Suppose the copies are so good that you cannot make out which is the copy and which is the original. Do you now have three valuable documents ? Or has the document lost value in the act of copying ?<br /><br /><br />Regardless of the above conundrum, the fact remains that our cities are dotted with such buildings. Builders’ brochures generally describe these as "world class" buildings. One cannot deny that some of them add interest and perhaps make the city a more exciting place. Few of us have the privilege of travelling around the world and perceiving these connections. So lets just sit back and enjoy it when your local builder gives you "world class" buildings. Originality is perhaps over rated anyway.</span></div>
a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-39903241170086194882017-09-20T07:00:00.000-07:002018-05-28T00:53:06.127-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="background-color: white; color: #444444; font-family: "verdana" , sans-serif;"><b>_ The Colours of Motion _ </b></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZq_aFK0KhtRPNrZGPhenuh9_ND7BH6eVCNGs4ISQ4uQ2qzsSHaIGQZXTGrF6zq3hGxlmERveGWmzYvkvSxAq7ncFTQ_9A00_NmeG99MeE75DV_RsdutjSMp4W6owzRMKAjoGMnzf4vhbE/s1600/A+white+christmas.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZq_aFK0KhtRPNrZGPhenuh9_ND7BH6eVCNGs4ISQ4uQ2qzsSHaIGQZXTGrF6zq3hGxlmERveGWmzYvkvSxAq7ncFTQ_9A00_NmeG99MeE75DV_RsdutjSMp4W6owzRMKAjoGMnzf4vhbE/s640/A+white+christmas.PNG" width="450" /></a></div>
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<span style="background-color: white; color: #666666; font-family: "verdana" , sans-serif; font-size: x-small;"><a href="http://thecolorsofmotion.com/films" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">The Colors of Motion</a> is a site that explores the use of color in movies by using a script to determine the average color of each frame. The colors from the frames are displayed sequentially in <a href="http://thecolorsofmotion.com/films/wall_e" style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">a strangely mesmerizing scrolling page</a> of subtly shifting hues. Or, as prints if you prefer. I’m partial to this white Christmas one.</span></div>
a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-17968867782722286042017-08-04T00:52:00.000-07:002018-05-28T00:52:25.614-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">_ Architecture and Emotions _ </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;"><br /></span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">Just think of some of the ways architecture can manipulate your own experience. In this book, Happy City: Transforming Our Lives Through Urban Design, US author Charles Montgomery points out that some environments predictably affect our moods.</span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">The fact is that environments do affect us, regardless of whether by design or by accident. In 2008, researchers in the UK found that a ten-minute walk down a South London main street increased psychotic symptoms significantly.</span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">With some quick research, I found that the healthier a person is, the more a good environment will affect them positively and the less a bad one will affect them negatively. Mentally ill patients show about 65 times more negative reactivity to bad environments than controls and all these reactions translate directly into symptoms.</span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">The same patients have about half the positive responsiveness. That’s fewer smiles, less laughter and a reported drop in feeling the “fun of life”.</span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">But that’s not all. The potential for architecture is richer still. The ease with which architecture can embrace sublime aesthetics makes it great for generating awe.</span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">Psychiatrists have found that awe reduces the prevalence and severity of mood disorders. Could sublime architecture even potentially save lives?</span><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: small;">The psychological effects of architecture are difficult to prove, but difficulty doesn’t dilute the value of a building that hits the right notes and creates a sense of awe. Each building type has different functions, and for each there’s an imperative to use the building to help create an optimal mood, desire or sense of coherence, security or meaning.</span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-47061049706441630582017-06-19T22:00:00.000-07:002018-05-21T05:55:22.372-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Verdana, sans-serif; font-size: xx-small;"><span style="background-color: white; color: #222222;"><b>_ House and Home _</b></span><br style="color: #222222;" /><br style="color: #222222;" /><br style="color: #222222;" /><span style="background-color: white; color: #222222;">Is there a difference between a house and home? Can I as ' the architect' influence the difference one way or another? </span><br style="color: #222222;" /><br style="color: #222222;" /><br style="color: #222222;" /><span style="background-color: white; color: #222222;">According to Oxford Dictionary:</span><br style="color: #222222;" /><span style="background-color: white; color: #222222;">house (n): </span></span></span><br />
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<span style="font-family: Verdana, sans-serif; font-size: xx-small;">building for human habitation, especially one that consists of a ground floor and one or more upper storeys.<br /><br /><br />home (n): </span><br />
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<span style="font-family: Verdana, sans-serif; font-size: xx-small;">a The place where one lives permanently, especially as a member of a family or household<br /><br />b : The family or social unit occupying a permanent residence.<br /><br />Not much help there!<br /><br />A house is a type of building where you put your stuff, and home is where you live your life.<br /><br />As an architect who designs houses, modern houses in particular, I don’t think that I can make your house be a home but I do think I can make it a lot harder for your house to become a home.<br /><br />For me, home is about creating memories and shared experiences with your family. These things can happen in a house, an auto rickshaw, a restaurant – on a bench in park – wherever you happen to be. I don’t think it has to do with your “stuff” even though your belongings do contribute to a space being yours. </span></div>
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<span style="font-family: Verdana, sans-serif; font-size: xx-small;">Most 'modern' houses photographs dont show any signs of "stuff". Some evidence of human beings living in that space. Stuff which has meaning to the owner and why he/ she cares enough to move it around with them from space to space.. This stuff has emotional connection. Where is all the stuff in a modern house? So does this mean you have to have stuff in order to have a home? </span></div>
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<span style="font-family: Verdana, sans-serif; font-size: xx-small;"><br />I know that people who have things going on don’t maintain a perfect photo ready home. Too often modern houses appear sterile, inhuman – certainly not child friendly – and devoid of personality despite the fact that modern homes were originally supposed to make life easier to live.<br /><br />I think I have convinced myself that an architect can’t create a home, that is a job is for the occupants to take on and complete. As for the consideration that a modern house is more difficult to be a modern home, I will need to think on that a little longer … </span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-63153783283961765422017-05-14T06:04:00.003-07:002017-05-14T06:04:56.755-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
<b style="color: #222222; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">_This is Mumbai_</b><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br style="background-color: white; color: #222222;" /><br style="background-color: white; color: #222222;" /><span style="background-color: white; color: #222222;">This is Mumbai. A city that can be at once deeply familiar but also newly restless on the same road. A city whose very material for being is serendipity. A giver of anonymity and a giver of the densest participation in humanity. And still, with all its gifts, it requires only one thing from us: utility. The only thing Mumbai requires of its citizens, its tourists, its commuters, its passerbys, its participants, is to use the city. The only thing one cannot do in Mumbai is embrace it with apathy.</span><br style="background-color: white; color: #222222;" /><br style="background-color: white; color: #222222;" /><span style="background-color: white; color: #222222;">This is Mumbai. We come here unfinished, looking to the city for answers, for solitude, assignment, and for reward — looking for someplace to finish our sentences. And the city, in turn, presents endless possibilities. No matter if one lives here a year or a life, if utility is the city’s aspiration, then its reward is its neighborhoods.</span></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">A couple of years back our office shifted their premises — all of 5.5km. After about a decade in one South Mumbai neighborhood, we moved just over 18,000 feet to south-west. Mumbaikars live and breathe by the people and services on a single<i> chowk</i>, so moving this far is just as well moving countries. Changing currencies. Allegiances. Time zones. But without sympathy. Because it is, after all, still one city.</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><br />When our office was at Nana Chowk, I saw neighborhoods unlike I’d seen before. “The city,” as Mumbai is called has neighborhoods of course. Yet Nana Chowk has them at a different scale and speed. Within a month of joining RMA architects, I’d been offered protection, free goods from shop keepers and was friends with the stray cats . In more than two years there, I’d been delighted, loved, infuriated, and everything in between. And I relied on the people on my block to be there for me through it all.<br /><br />We are now located at Kala Ghoda — the kind of Grand Central of our borough — where the steady traffic and sirens are companions in the afternoons. It’s no pastoral neighborhood, but the frenetic diversity of pace, scale, sounds, lights, and people to befriend envelops one in possibility. It’s less bake sale more survivalism, less<i> kirana </i>shops and more of western malls .<br /><br />This is a city I associate with aspiration, and a city I look up to be inspired again and again. Of all the cities, it may be Mumbai who is the most unflappable, the most infallible, the most impenetrable, but the most loyal and the most forgiving. As such, it is Mumbai itself who is unfinished, its unkempt seams and its unsmooth asphalt, its uptown arts and its devoted downtown, living undone, side by side.<br /><br />This is Mumbai. A city of neighbors making the unfinished finished. It’s been spat on and praised, paved over and cheered on. It needs us to finish its sentences. For despite all of the promised anonymity of this singular city, “Mumbai” is plural.</span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-33855752546140714892017-04-14T04:11:00.000-07:002017-05-14T06:07:40.772-07:00<div dir="ltr" style="text-align: left;" trbidi="on">
<b style="color: #222222; font-family: "Helvetica Neue", Arial, Helvetica, sans-serif;">_The stakes in culture_</b><br />
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<i><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: xx-small;">The global is shallow, the local is deep - Ulf Hannerz (Anthropologist), Transitional Connections</span></i></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: xx-small;">In stark opposition to the flexible and accommodating global cities stands the image of the culturally invaded village. The tales of omnipresent McDonald's or Cafe Coffee Day in once "remote" areas are often related sometimes humorously but often wistfully, with a double disappointment with the culture lost and a gateway vacation spoiled. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: xx-small;">In these examples (and many less dramatic but still poignant ones) cultural globalization appears far from the joyous existence of infinite diversity and rather as the desperate last thrashings of endangered local cultures before a conquering giant. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: xx-small;">Many places on this planet are seemingly interchangeable agents of homogenization, whether airport terminals, Pizza Huts or (like the recent addition to the list-) Starbucks. But looking closely, looking literally on the ground, we can find pockets of great specificity and singularity; capable of under certain circumstances anchoring certain communities. </span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; font-size: xx-small;">Thus both San Francisco and Mumbai, or even Raipur and Ooty offer ways to think about the unevenness of the global cities and towns. In both cases there is a spectrum from highly homogenized and interchangeable spaces of consumption and capital to pockets of meaning, memory, moral narratives and authenticity of specific locations. These types of places coexist and interact in any given city, albeit in historically and graphically different ways. Place, then, becomes a vehicle for making a variety of moral and practical claims linked to universal discourse of human rights or a discourse of humanity and equality. Place continues to matter in the midst of globalization, and we must pay attention to it in order to understand globalization with actual policies and communities. Scholars of the city and globalization must leave open the possibility of place-bound actions and activities rather than presuming their demise at the hands of global capital. </span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-34368431061675386302017-03-02T04:28:00.000-08:002017-03-11T04:28:41.043-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="background-color: white; color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_Precious about process_</b></span><br />
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<span style="background-color: white; color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Our fears often lead us to stick to traditional modes of operation and keep our motivations for choosing particular deliverable shrouded in mystery. If we are going to be innovative and flexible, we need to also clearly communicate our motivations. If clients understand the process and are confident that the new proposition is indeed the best direction, they will appreciate the narrative behind your choices and will be far more willing to reconsider timing or format of deliverables.</span></div>
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<span style="background-color: white; color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Experimenting with new types of deliverables has been both a bit terrifying (well, maybe just for me ) and <em style="line-height: 1.4; margin: 0px; padding: 0px; word-wrap: break-word;">entirely </em>thrilling. Of course, they are never perfect, but that’s okay. Selecting more innovative deliverables rewards us with focused client feedback, curious peers, and a fresh take on what our process could be for future projects. We keep evolving and improving, and get stronger as practitioners and a team—all by being willing to not be precious about our process.</span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-31106992949182873722017-01-12T04:19:00.001-08:002017-01-12T04:19:55.541-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="background-color: white; color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: x-small;"><b>_ Red and Black _ </b></span><br />
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<span style="color: #666666;">Corrugated roofing sheets is recycled as partition on site to store material </span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #666666; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>@Delhi 2012 photo by payal patel</i></span></td></tr>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-81820839603723859092017-01-07T06:20:00.000-08:002017-01-07T06:20:56.017-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>_ Art _ </b></span><br />
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<i style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">“Art taps into the reality of the transcendent” – Makoto Fujimura</span></i></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Translating what I saw in my mind’s eye onto the paper was what I always wanted to do. <i style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Really,</i> I did. I love to draw but could not do it in a way that expressed what was there. I’m certainly no artist. So a young life full of dreams of drawing spilling over onto sketch books was displaced. Thankfully poetry and prose did it.</span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Though not sure where I picked it up, any affection for the painting and drawing others had done, was always proportional to how representational it was. So, I was more than willing to see the genius and beauty of Carvaggio and Rembrandt. However, all modern art which was the opposite of representational was out of bounds. It was weird. I couldn’t understand it. It had the feel (or lack of feeling) of inaccessibility. So I ignored it.</span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">All of this was the furniture of my mind when I began seeing the work of <a href="http://www.makotofujimura.com/" style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Makoto Fujimura</a> on the internet. Having never heard of Nihonga – the ancient method of Japanese artists using particular mediums, setting it apart from Western art – I was drawn in by it’s long history and distinctive techniques. But my curiosity did not square with my convictions, firmly held about art, which was not representational. Would it be weird to say, “I had a kind of guilt about beginning to love his art?”</span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">All this changed on a plane. A few years ago I was flying to Gokak to visit a stone quarry. Sitting by the window, like a kid, I was wide-eyed with wonderment. <i style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">And then I saw it.</i> I saw “modern art” created by farmers. I saw a patchwork of squares, full of browns and greens of different shades. Some of these squares contained triangles and circles which certainly made sense to those who placed them there but they <i style="background-attachment: initial; background-clip: initial; background-color: transparent; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">seemed</i> haphazard from above. Thousands upon thousands of these squares stretched in every direction. And it was absolutely beautiful.</span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">This God’s eye view provided me with me a glimpse of something which has often been right in front of me but I had never seen.</span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">As a result, a kind of conversion happened, and the burden I carried, which supplied me with guilt, had fallen away and the scales fell off so that I saw beauty I had missed. There is a mundane quality to the shapes and drips of the modern paintings which we pass over all too quickly, mainly because we never stop and step back or hover over the smallest of details in our lives.</span></div>
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">I now pore over the work of Fujimura. I am neither qualified nor desire to give a fully informed professional opinion on his work. However, I do know this, his work never ceases to move. Perhaps, it’s because I cannot get my head around it. Or maybe because it is more like poetry, expressing the inexpressible parts of life. Then again, maybe it is because I am seeing something new and old at the same time. Fixed and Fluid. Regardless, I am thankful for his use of materials which in their glory, move me to consider the immaterial.</span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-84522065465222773342016-12-25T08:22:00.003-08:002017-01-07T06:21:18.865-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;"><span style="background-color: white;"><b>_ Math and Architecture _</b></span></span><br />
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<span style="color: #444444; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif; font-size: xx-small;"><span style="background-color: white;">Perhaps it is best to think about what we are trying to do with architecture. What should it be ideally? Math is of course needed as a practical tool for engineering and measurement, but when we talk of aesthetics we are of course talking about a different use of math.</span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">There are actually many other uses for math and the readers will probably respond according to their goals. Those obsessed with the "sacred," and the romance of the past will perhaps answer that math is needed and used to achieve sacred principles and relationships: the importance of 3, the fact that 8 stands for the resurrection, 12 as a divine number, etc, golden mean, etc, etc.</span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Those who approach things from a more intellectual or mathematical point of view may focus on the order of composition and rationality that mathematics brings. These minds probably favor the rational Renaissance as the highest point possible.</span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Probably each viewpoint or approach has its own truth. For me I ask myself the question again, what should architecture be? And, I answer this with a single word: beautiful. Then I ask myself, what is beautiful - what is beauty? And, beauty is hard to define; so, I search for examples...I think of music and the way that it reaches to my core; I think of sunsets; I think of walking through a forest and the peace I sense; I think of flowers and the way that each petal fits together; I think of vibrant paintings; I think of all these things and many other things, and then I ask myself, what makes them so beautiful?</span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">All of these things have in common elements of composition, and these elements combine to create the sensation of beauty. There is unity, proportion, rhythm, harmony, nuances, etc. It is not so easy to break apart the composition, because when something is truly beautiful each part is less itself and more of the whole. But, if you did, you would find that one part is proportion, and proportion is of course related to math.</span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">The notes of the musical scale, the leaves of a tree, the division of a face and body, the field of colors in a painting, all of these things have a structure and proportion - they have much more also, but proportion is one necessity.</span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">So why is math important for architecture? Or better yet, why is it important for beautiful architecture? Because, beauty is composed, a part of composition is proportion, and proportion relates to mathematics. It doesn't have to be about symbolism, theory, or philosophy. It can simply be about creating beauty in and of itself. Mathematics and proportion do not create beauty by themselves, but they are a necessary part of the compositional whole.</span></span></div>
a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-43479730600860748482016-11-27T04:23:00.000-08:002016-11-27T05:01:55.763-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #666666; font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;"><b>__ Experiencing a city__ </b></span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">Recently I was talking with a curator who spent her childhood and study years in different parts of India. She has now embraced Mumbai as her home and been staying here for more than five years. Her experience in city has been like everyone who has not been raised in this beautiful yet messy city. She was shocked by the speed, thrilled by the variety and confused by the people. She was disappointed by the fact that the city has very few open spaces to offer and that available public spaces are 'tiny' as compared with Delhi or Kolkatta. When I tried to argue that it does have beautiful streets to explore - she thought I am pulling her leg. </span></div>
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<span style="font-family: "helvetica neue" , "arial" , "helvetica" , sans-serif;">This conversation reinforced my belief that architects and planners experience the city very differently from others. For us, architecture and built environment provides us moments of clarity in terms of general properties of space that cannot be conveyed otherwise. Streets and roads become interesting warps and wefts which help in creating the fabric of the city. And we love to study it, analyse it and implement it. How people are meeting at junctions, how the shop fronts add texture, how street furniture is missing ( or vandalized), how the facade is inviting, etc etc But this something which a non-architect/ planner could never learn to like - maybe bits and pieces and from time to time but not always. I do not think he or she would ever have a list to visit x, y and z streets in their spare time. That's how fundamentally we experience the city contrarily - by exploring and absorbing their streets and roads.</span></div>
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com1tag:blogger.com,1999:blog-1079868451848692381.post-22211267831805677292016-11-06T05:01:00.000-08:002016-11-27T05:01:34.831-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="background-color: white;"><span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>__<span style="white-space: nowrap;">Arulmigu Patteeswarar Swamy Temple__</span></b></span></span><br />
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<span style="background-color: white;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="white-space: nowrap;"><span style="color: #666666; font-size: x-small;"><i>@ Coimbatore 2015 by payal patel</i></span></span></span></span><br />
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-20497634357053103172016-10-30T04:54:00.000-07:002016-11-27T04:55:16.295-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>__Afghan Church__</b></span><br />
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<span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Afghan Church located in Navy Nagar of Mumbai was built by the British to commemorate the dead of the First Afghan War and the disastrous 1842 retreat from Kabul. </span><br />
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<span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;">The imposing edifice was constructed using locally available buff- coloured </span>basalt<span style="background-color: white;"> and </span>limestone<span style="background-color: white;">. Inside it is known for its wide gothic arches and beautiful stained glass windows. The chapel has a nave and aisle with a chancel 50 ft (15 m) in length and 27 ft (7 m) in width. Butterfield's tiles used for the geometric floor pattern were imported from England.</span><span style="background-color: white;">The tower and spire are 198 ft (60 m) high. </span></span><br />
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<span style="color: #444444; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;">Got a chance to revisit this church again with a Professor on a rainy day.</span></span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="background-color: white;"><span style="color: #666666; font-size: x-small;"><i>@Mumbai 2016 by payal patel</i></span></span></span><br />
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a believerhttp://www.blogger.com/profile/01647908869232500186noreply@blogger.com0tag:blogger.com,1999:blog-1079868451848692381.post-71898905070662494492016-10-08T04:43:00.000-07:002016-11-27T04:44:27.395-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><b>__visit to village__</b></span><br />
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<span style="color: #666666; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Chance visit to Kadus near Pune was a true delight . This village has a rich detailing of buildings along with beautiful lush fields. </span><br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="color: #999999;"><i>@ kadus 2014 by payal patel</i></span></span><br />
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